Chris Evans, Morten Norbye Halvorsen
Jingles (Grazer Kunstverein, spring, summer, autumn, winter)
2017–2020
12” Vinyl LP
Sets of 6 Limited Editions

Each hand-printed silkscreened sleeve is produced in an edition of 25 and signed by the artists. Digital download link included.
Colors available: Green, Pink, Dark Blue, Red, Grey, Light Blue

Single price: 30,– Euro
Price for a set of six: 150,– Euro

Editors: Triple Candie, Kate Strain
Concept: Triple Candie
Text: Kate Strain, Triple Candie, Maggie Armstrong
Copyediting: Maggie Armstrong
Translation: Dörte Eliass
Proofreading: Tanja Gurke, Maggie Armstrong
Design, Layout: Marc Hollenstein, Triple Candie
104 pages, 29 b/w, 49 color illustr., 30,5 x 21,5 cm, German/English
Mark Pezinger Books; 2019
ISBN: 978-3-9504525-8-7; Price: 25,– Euro

In the frame of Diagonale’22 – Festival of Austrian Film, the Grazer Kunstverein and Kunsthaus Graz join forces. In Rensonance, a joint film program, connects their exhibitions by Sandra Lahire and The Golden Pixel Cooperative, a Vienna-based feminist association for moving images. Drawing from their back catalog, The Golden Pixel Cooperative members respond to Terminals (1986), one of Lahire’s films. The program includes films by Christiana Perschon, Lydia Nsiah, and Enar de Dios Rodríguez, and examines practices of (self-)observation and the vulnerability of images, bodies, and environments. Together, they resound in a cinematic and intergenerational encounter. 

The program includes:

Christiana Perschon, Double 8, 2016. 3 min. 
Lydia Nsiah, distortion, 2016. 5 min.
Sandra Lahire, Terminals, 1986. 20 min.
Enar de Dios Rodríguez, Liquid Ground, 2021. 32 min. 

The screening will be followed by a discussion between Katrin Bucher Trantow (Interim Director and Chief Curator Kunsthaus Graz), Enar de Dios Rodríguez (artist, GPC), Tom Engels (Artistic Director Grazer Kunstverein), and Antonia Rahofer (curator, GPC). The conversation will be moderated by Daniella Shreir (Another Gaze).

You can book tickets via the website of Diagonale’22.

In Resonance is realized in cooperation with Kunsthaus Graz and Diagonale’22. 

The Golden Pixel Cooperative (GPC) is an association for moving image, art, and media founded in 2014. Located at the interface between exhibition space and cinema, its goal is to develop sustainable structures for the distribution, production, and mediation of moving image works by contemporary artists and to promote exchange and mutual support between them. Indizien, The Golden Pixel Cooperative’s exhibition is on display at Kunsthaus Graz between 05/04 and 18/04/2022.

As part of the opening of we sat rigid except for the parts of our bodies that were needed for production by Sandra Lahire and Celeste Burlina, the German artist Rosa Anschütz presents Soft Resource, a performative concert. Inspired by Lahire’s experimental films, Anschütz draws from her musical and lyrical archive and reassembles its elements into a one-off sonic journey.

Rosa Anschütz (b. 1997, Germany; lives in Berlin and Vienna) is an artist, composer, and vocalist. Working through different media, she investigates the relationship between sound, object, scenography, photography, and film, while creating collages within and beyond her music. As a performer, Anschütz embeds her reverberated voice—oscillating between singing and spoken words—in delicately constructed sound compositions drawing from the guitar, bass, drum machine, and modular synthesizers. Her debut record Rigid, came out on Quiet Love Records in 2019 and was soon followed by Votive, her first full-length album. In May 2022 she will release her second album Goldener Strom on the Berlin-based label B-Pitch Control.

This selection of films aims to provide a partial survey of the work of Sandra Lahire’s contemporaries and collaborators, including friends, mentors, and fellow members of the London Film-makers Cooperative such as Tina Keane, Lis Rhodes, and Tanya Syed. This eclectic mix of film and video contains reflections on some of the concerns that pervade Lahire’s work, and that were prevalent at the time, including anti-nuclear activism, constraints placed on women’s bodies, and manifestations of lesbian sexuality and desire. The films will be interspersed with readings of texts and reflections by Lahire and some of the other artists included in this program.

The film program includes:

Tina Keane, Hey Mack, 1982. 13 min. 
Jo Davis & Lis Rhodes, Hang on a minute: No 8 Bus, 1983. 2 min.
Jeanette Iljon, Focii, 1974.  9 min.
Tanya Syed, Chameleon, 1990. 4 min.
Martine Thoquenne, Faster Princess, 1982. 8 min.
Sarah Turner, She Wanted Green Lawns, 1989. 4 min.
Sandra Lahire, Eerie, 1992. 1 min.
Annette Kennerley, Sex, Lies, Religion, 1994. 6 min.
Helena Goldwater, Fierce Detail, 1995. 4 min.

The program is curated by Charlotte Procter (LUX, London) and Daniella Shreir (Another Gaze). 

Charlotte Procter (b. 1984, United Kingdom; lives in London) is Collection and Archive Director of LUX, the UK’s most significant collection of artists’ moving image. In 2013 she joined the Cinenova Working Group, a collective dedicated to the care and distribution of the feminist film collection Cinenova. From 2018 to 2021, she co-directed the research project Their Past is Always Present at Elas Querejeta Zine Eskola (San Sebastián, Spain), and she is co-editor of Living on air: the films and words of Sandra Lahire (2021).

Daniella Shreir (b. 1993, United Kingdom; lives in London) is the founding editor of Another Gaze, a print and online journal exploring films and feminism. She is also the founder and programmer of Another Screen, an irregular streaming platform, free and available worldwide with subtitles in multiple languages. She works as a literary and non-fiction translator from the French, with her translation of Chantal Akerman’s My Mother Laughs receiving a PEN award in 2019.