Edition - Grazer Kunstverein

Ezio Gribaudo
Logogrifo, ca. 1967-70.

Silk screen print
Edition: 99
50 x 69 cm
Numbered and signed.
€ 600,00* (excl. VAT, excl. packing and shipping costs)

*The editions are available to the members of Grazer Kunstverein. It is possible to become a member when purchasing an edition.

EZIO GRIBAUDO (1929-2022, Italy) was an artist and art publisher based in Turin. Gribaudo’s work, notable for its fusion of figurative, textual, and topographical elements, was shaped by his expertise in typography, industrial printing, and publishing. He managed the Edizione d’Arte Fratelli Pozzo publishing house and was instrumental in the Le Grande Monografie series by Fabbri Editori, producing monographs on artists such as Karel Appel, Francis Bacon, Alberto Burri, Giorgio de Chirico, Marcel Duchamp, Man Ray, Joan Miró, Henry Moore, Antoni Tàpies, among others. In collaboration with Michel Tapié, he contributed to the ICAR (International Center of Aesthetic Research) in 1960. Gribaudo was also committed to curatorial projects, such as the exhibition of the Peggy Guggenheim Collection at Galleria Civica d’Arte Moderna, Turin, in 1976, and Jean Dubuffet’s exhibition-performance CouCou Bazar at Promotrice delle Belle Arti with FIAT in 1978.

Ezio Gribaudo’s artistic trajectory is characterized by a prolific exhibition history. His work has been featured in exhibitions both in Italy and internationally since the late 1950s and continues to be exhibited to this day. A small selection of solo exhibitions includes: Galleria d’Arte La Bussola, Turin (1959); Galleria Schwarz, Milan (1967/1972); Galleria la Bertesca, Genoa (1967); Galleria Viotti, Turin (1968); Galerie de France, Paris (1968); Kunstverein Göttingen (1971); Petit Palais, Musée d’Art Moderne, Geneva (1971); Museum of Modern Art, Rio de Janeiro (1973); Marlborough Graphics Gallery, London (1974); Galleria Michaud, Florence (1975); Etablissement d’en face, Brussels (2019); and Galerie Sans Titre, Paris (2022).

In addition, Gribaudo participated in significant exhibitions such as the 9th Rome Quadriennale (1965); the 33rd Venice Biennale (1966); Salon de Mai, Paris (1967); Salon de Mayo, Havana (1967); the 9th São Paulo Art Biennial (1967); Stedelijk Van Abbemuseum, Eindhoven (1967); GAM (Galleria Civica d’Arte Moderna), Turin (1967); Salon de Mai, Paris (1968); Museum of Modern Art, Caracas (1968); The National Gallery, Prague (1969); the 8th International Exhibition of Graphic Arts, Ljubljana (1969); the 10th Rome Quadriennale (1973); Fundação Calouste Gulbenkian, Lisbon (1979); International Exhibition of Graphic Arts, Bilbao (1982); Grand Palais, Paris (1982); Castello di Rivoli, Rivoli (1986); the Italian Pavilion at the 54th Venice Biennale (2011); Sandretto Re Rebaudengo Foundation, Turin (2015); Peggy Guggenheim Collection, Venice (2016); Museo del Novecento, Milan (2017); GAM (Galleria Civica d’Arte Moderna), Turin (2017); Pio Pico Gallery, Los Angeles (2020); and MACRO Museum of Contemporary Art of Rome (2021).

Ezio Gribaudo
Logogrifo, ca. 1967-70.

Silk screen print
Edition: 99
69 x 50 cm
Numbered and signed.
€ 600,00* (excl. VAT, excl. packing and shipping costs)

*The editions are available to the members of Grazer Kunstverein. It is possible to become a member when purchasing an edition.

Iris Touliatou
sweeter and lower, 2022

Perspex box, ground stationery, former Grazer Kunstverein CI
Edition: 8
18,5 x 14 x 2,2 cm
Numbered and signed certificate
€ 500,00* (incl. VAT, excl. packing and shipping costs)

sweeter and lower contains some of the remnants of untitled (sweet and low), a work presented during appendage, Iris Touliatou’s solo exhibition at Grazer Kunstverein in 2022. untitled (sweet and low) was the result of having transformed the old, left-over stationery of the Grazer Kunstverein— half white / half red—into a pink pulp, which then was scattered over the floors of the building. By shredding the stationery with a blender, a pink fluff emerged from the transactional paper that in a former life used to transmit official communication, invoices, announcements, etc. sweeter and lower gathers fragments of that action and compresses them into a plexiglass box. Contained and preserved, the left-overs of what once was whole meet again and are turned into a vivid chromatic picture in hues of pink.

*The editions are available to the members of Grazer Kunstverein. It is possible to become a member when purchasing an edition.

Iris Touliatou (b. 1981, Athens) lives and works in Athens. Recent solo exhibitions include mothers, Rodeo, London/Piraeus (2022); appendage, Grazer Kunstverein (2022); Organs, EXILE, Vienna (2020); and Overnight, Radio Athènes, Athens (2019). Touliatou has been part of the group exhibitions SIREN (some poetics), Amant, New York (2022); 2021 Triennial: Soft Water Hard Stone, New Museum, New York (2021–22); Work and Leisure, Milan (2022), When I state I am an anarchist, PLATO, Ostrava (2022); Anabasis, Rodeo Gallery, Athens (2022); Eclipse, the 7th Athens Biennale (2021); Lives of an Object, Andreas Melas and ARCH, Athens (2021); The Way In, Haus N Athen, Athens (2021); Anti Structure, DESTE Foundation, Athens (2021); Interval, Goethe-Institut Athen (2021); The Same River Twice, Benaki Museum, Athens (2019); and Manifesta 12, 5x5x5: Selected Projects, Palermo (2018), among others.

Maria Toumazou
Old Town Street (towards Photo Net), 2022

Pigment print on Hahnemühle FineArt Baryta, 325 gsm
Edition: 10 + 3 AP
16 x 23,5 cm, unframed
Numbered and signed certificate
€ 375,00* (incl. VAT, excl. packing and shipping costs)

Old Town Street (towards Photo Net) depicts the expressive painting of a female nude displayed in a framer’s shop window and is layered with the reflection of Nicosia’s old town. Resembling the processing and the becoming of an image, the analog photograph was shot at a close distance to Photo Net, Toumazou’s local photography store, where her pictures are developed and printed. The photograph is part of a series of 26 pictures resulting from numerous walks through Toumazou’s hometown. The series appeared for the first time in R, C, the publication that accompanied RHYTHM, CITIZEN, Toumazou’s solo exhibition at Grazer Kunstverein in 2022. One of them is now available as an exclusive artist’s edition.

*The editions are available to the members of Grazer Kunstverein. It is possible to become a member when purchasing an edition.

Maria Toumazou (b. 1989, Cyprus) is an artist and publisher based in Nicosia. Recent solo presentations include RHYTHM, CITIZEN, Grazer Kunstverein (2022); SCRAP B, Point Centre for Contemporary Art at Moufflon Bookshop, Nicosia (2022); Coil, Hot Wheels Athens (2021); and Fair-face Elysée, Thkio Ppalies, Nicosia (2019), among others. Toumazou has participated in group exhibitions including SISTERHOOD, Streaming voices unifying energies, Angelo Plessas and P.E.T. Projects, Nicosia (2021); Touch Release, Nassauischer Kunstverein Wiesbaden (2021); Hypersurfacing, NiMAC, Nicosia (2019); Soft stone documents, Municipal Arts Centre, Limassol (2017), among others. Neoterismoi Toumazou (Toumazou’s former collective with Orestis Lazouras and Marina Xenofontos) was invited as a special guest to the Cyprus Pavilion at Biennale Arte 2017, Venice, curated by Jan Verwoert. She was a guest student at Städelschule, Frankfurt, after completing her studies at Goldsmiths College, London, and the Glasgow School of Art.

Leporello, 22 pages, limited edition
11.5 x 17 cm
De Hallen Haarlem, Grazer Kunstverein, 2016
Price: 50,– Euro (out of print)

Chris Evans, Morten Norbye Halvorsen
Jingles (Grazer Kunstverein, spring, summer, autumn, winter)
2017–2020
12” Vinyl LP
Sets of 6 Limited Editions

Each hand-printed silkscreened sleeve is produced in an edition of 25 and signed by the artists. Digital download link included.
Colors available: Green, Pink, Dark Blue, Red, Grey, Light Blue

Single price: 30,– Euro
Price for a set of six: 150,– Euro